13 with Poznan Philharmonic as well an AIDS Gala at the Deutsche Oper am Rhein.
Further engagements include Shostakovich Symphony No. On the concert platform, he debuted with the Orquesta y Coro Nacionales de España in Rachmaninov’s The Bells, which he reprised later with the Orchestre de Paris and Giannandrea Noseda.
He also appeared in Don Carlo at Palau de les Arts Reina Sofia, Valencia Simon Boccanegra at Staatsoper Hamburg, Faust in Jerez, The Marriage of Figaro at the Bolshoi, and Ernani at Opéra de Marseille.
Houston carmen opera series#
His appearances for the 2017/18 season include a series of company debuts, beginning at LA Opera as Escamillo in Carmen, continuing to the Metropolitan Opera for Lucia di Lammermoor and Luisa Miller, and the Bavarian State Opera for Carmen. He most recently returned to LA Opera as King Philip II in Don Carlo. He has worked with many leading conductors including Gustavo Dudamel, Daniel Barenboim, Kent Nagano, Vladimir Jurowski, Lorin Maazel, Mariss Jansons, Zubin Mehta, Placido Domingo, Valery Gergiev, Philippe Jordan, Antonio Pappano, Semyon Bychkov, Yuri Temirkhanov, Vasily Petrenko, Dmitrij Kitajenko, Helmuth Rilling and Myung-Whun Chung.
Martínez was thrilled to join San Diego Opera as Mimi in their production of La Bohème, in the world’s first-ever drive-in opera production. On stage during the 2020/21 season, in the height of the Covid-19 pandemic, Ms. Performance highlights of the 2021/22 season include the title role in Florencia en el Amazonas with Lyric Opera of Chicago and a role debut as Despina in Cosi fan tutte with Washington National Opera. Her appearances in the 2022/23 season will include Donna Elvira in Don Giovanni at the Metropolitan Opera. Equally exciting, following a two year appointment as Artist-in-Residence at the Shepherd School of Music at Rice University, in July 2021 she became a professor in their Department of Voice. Martínez joined Houston Grand Opera as their first-ever Artistic Advisor where she works with the artistic team on casting and production decisions, adjudicates the annual Concert of Arias competition, mentors and coaches HGO Studio artists, and engages with the larger Houston community on behalf of the Opera. Martínez continues to explore all aspects of her career, both on and off stage, highlighted by such diverse opportunities as voicing the role of opera singer Alessandra in season three of Amazon’s Mozart in the Jungle, to proudly representing her birthplace of Puerto Rico as an honoree and performer in the 62nd Annual Puerto Rican Day Parade in New York City, and all the while maintaining her commitment as a leader in the industry and as an advocate and educator to the next generation of musicians.
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In addition to a full calendar of performances, Ms. Grammy Award winner Ana María Martínez is considered to be one of the foremost sopranos of her time, with an international career that spans the world’s most important opera houses and concert halls.Ī winner of the 15th Annual Opera News Awards, her repertoire encompasses opera’s most intriguing and diverse leading ladies, and she engages her audiences season after season with signature roles, spellbinding debuts, and a myriad of captivating recordings.
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